I really like it, but for the cost of a cup of coffee you could try it for a month as well. I highly suggest you just do that: commit to spending a month using it, and if you don't like it at the end cancel. Maybe it won't work for the way you use search, maybe it will, the only way to find out is to try.
The only closed source license I find acceptable is the BuSL "Business Source License" because it eventually becomes opensource. It guarantees you a 4 year moat on the code before it becomes open source, and it remains source available until then. This ought to be good enough for valid uses and prevents needless license proliferation.
FSL uses this "eventual open source" mechanism too.
At this point, FSL appears to be more widespread than BSL. Adoption of BSL has waned; even its creators (MariaDB, for their MaxScale proxy product) recently stopped using it.
> FSL uses this "eventual open source" mechanism too.
I stand corrected. I hate license proliferation, but the naming and marketing is better. I hope the other former open-source companies consolidate on something.
> undergoes delayed Open Source publication (DOSP). [1]
and that "DOSP" (Delayed Open Source Publication) is an OSI concept! [2]
But I cannot (yet) find what the timeframe for the DOSP is... because we don't want to wait 90 years for Mickey to be public domain.
That linked documented was sponsored by Sentry, who led the development of FSL. I don't believe it's accurate to call DOSP an "OSI concept" -- meaning, it's not something the OSI invented or coined. OSI also does not consider such licenses to be approved under their open source definition.
As for the timeframe, FSL uses a 2 year period.
edit to add: just to be clear, I'm a fan of FSL and Fair Source licensing, and do not consider lack of OSI endorsement to be a problem.
I don't think it's the modern Apple, I think that's just Apple.
I remember using iTunes when fixing the name of an album was a modal blocking function that had to write to each and every MP3, one by one, in the slowest write I have ever experienced in updating file metadata. Give me a magnetised needle and a steady hand and I could have done it faster.
A long time ago they had some pretty cool design guides, and the visual design has often been nice, but other than that I don't think their software has been notable for its quality.
Apple makes Logic Pro, Final Cut Pro, Notes, Calendar, Contacts, Pages, Numbers, Keynote, Freeform, just from a "quality" standpoint, I'd rank any of those applications as competitive for the "highest quality" app in their category (an admittedly difficult thing to measure). In aggregate, those applications would make Apple the most effective company in the world at making high-quality GUI applications.
Curious if I'm missing something though, is there another entity with a stronger suite than that? Or some other angle to look at this? (E.g., it seems silly to me to use an MP3 metadata example when you're talking about the same company that makes Logic Pro.)
Of those apps you've listed that I've used, none of them have been notable for being high quality to me, though as you say it's difficult to measure. For me I would rate them somewhere between unremarkable (notes, calendar, contacts!?) and awkward (pages, numbers, keynote). If you asked me to guess what desktop software Apple makes that people rate highly, I never would have guessed any of those, except _maybe_ Logic[1] and Final Cut, though ironically those are two of the three I've never used.
I also think you're confusing what I wrote. It's not a competition.
I have just found that Apple's hardware on desktop has been stronger than their software, in my experience (periodic sporadic use, ~2006->now).
[1] and now from a sibling comment I hear that perhaps people regard that tool as bad, so there you go, they jury is clearly out
What software do you find to be higher quality and why? That's the only valid way of even trying to have this conversation.
E.g., I'd rank something like VS Code "lower quality" because when I launch VS Code, I can see each layer of the UI pop in as it's created, e.g., first I see a blank window, then I see window chrome being loaded, then a I see a row of icons being loaded on the left. This gives an impression of the software not being solid, because it feels like the application is struggling just to display the UI.
> I also think you're confusing what I wrote. It's not a competition.
> I have just found that Apple's hardware on desktop has been stronger than their software, in my experience (periodic sporadic use, ~2006->now).
I disagree with this, the only way to make an argument that Apple has deficiencies in their software is to demonstrate that other software is higher quality than Apples. Otherwise it could just be Apple's quality level is the maximum feasible level of quality.
> unremarkable (notes, calendar, contacts!?) and awkward (pages, numbers, keynote).
This is laughable, Notes is unremarkable? Give me a break, and Keynote is awkward? Have you ever Google'd how people feel about these applications?
I'd argue a critic only has value if they're willing to offer their own taste for judgement.
Do you regularly use the alternatives to these programs? Admittedly I'm not cut out to judge the office suite, but the consensus in the music world seems to be that Logic Pro is awful. It lacks support for lots of plugins and hardware, and costs loads for what is essentially a weaker value prop than Bitwig or Ableton Live. Most bedroom musicians are using Garageband or other cheap DAWs like Live Lite, and the professional studios are all bought into Pro Tools or Audition. Don't even get me started on the number of pros I see willingly use Xcode...
It's not exactly clear to me what niche Apple occupies in this market. It doesn't feel like "native Mac UI" is a must-have feature for DAWs or IDEs alike, but maybe that's just my perspective.
> It lacks support for lots of plugins and hardware, and costs loads for what is essentially a weaker value prop than Bitwig or Ableton Live.
This is an obviously silly statement, not only is Logic Pro competitively priced ($200, relative to $100-$400 for Bitwig, $99-$750 for Live), but those applications obviously have different focuses than Logic Pro (sound design and electronic music, versus the more general-purpose and recording focus of Logic Pro, also you'd be hard pressed to find anyone who doesn't think Logic Pro comes with the best suite of stock plugins of any DAW, so the value prop angle is a particularly odd argument to make [i.e., Logic Pro is pretty obviously under priced]).
But all this isn't that important because many of these applications are great. DAWs are one of the most competitive software categories around and there are several applications folks will vehemently defend as the best and Logic Pro is unequivocally one of them.
> Most bedroom musicians are using Garageband or other cheap DAWs like Live Lite, and the professional studios are all bought into Pro Tools or Audition.
> We can see that Pro Tools for music is the most popular choice, with Logic for music second and Pro Tools for post coming third.
Note that I'd say Logic Pro's popularity is actually particularly notable since it's not crossplatform, so the addressable market is far smaller than the other big players. It's phenomenal popular software, both in terms of raw popularity and fans who rave about it. E.g., note the contrast in how people talk about Pro Tools vs. Logic Pro. Logic Pro has some of the happiest users around, but Pro Tools customers talk like they feel like their hostages to the software. That difference is where the quality argument comes in.
That is an awfully large amount of text for what amounts to an admission that Logic Pro is lower quality software than Pro Tools. Your comment reeks of all the hallmarks of Reality Distortion Syndrome, while I'm willing to argue on merits you simply sound smitten by Apple's (rapidly degenerating) accumen for visual design. In the other response, you're telling off a perfectly valid criticism of Apple software because they won't fulfill your arbitrary demand for a better-looking DAW. Are you even engaging with the point they're trying to make?
I'm sorry to say it, but I genuinely think you're detached from the way professionals evaluate software. While I enjoyed my time on macOS when Apple treated it like a professional platform, I have no regrets leaving it behind or it's "quality" software. Apple Mail fucking sucks, iCloud is annoying as sin, the Settings App only got worse year-over-year and the default Music app is somehow slower than iTunes from 2011. Ads pop up everywhere, codecs and filesystems go unsupported due to greed, and hardware you own gets randomly depreciated because you didn't buy a replacement fast enough.
If that's your life, go crazy. People like you helped me realize that Macs aren't made for people like me.
> That is an awfully large amount of text for what amounts to an admission that Logic Pro is lower quality software than Pro Tools.
I definitely didn't say this. Pro Tools likely has higher marketshare than Logic Pro, but I don't think anyone would conflate that with quality. I only brought up marketshare because you framed Logic Pro as being unpopular, which is just objectively not true.
> I'm sorry to say it, but I genuinely think you're detached from the way professionals evaluate software.
Note that how professionals evaluate software is tangential to what "quality" means in the context of software. E.g., I don't think anyone would argue Adobe is the paragon of software quality, but they're arguably the most important GUI software there is for creative professionals.
Both topics are very interesting to me, what software professionals use and why, and what constitutes quality in software.
> In the other response, you're telling off a perfectly valid criticism of Apple software because they won't fulfill your arbitrary demand for a better-looking DAW. Are you even engaging with the point they're trying to make?
I'm not sure what this means, who's talking about a "better-looking DAW" and which point am I not engaging with?
I'm interested, both as a Fastmail customer, and a software developer: what does this let you do that a PWA doesn't? Perhaps not become the default email client? Is there anything else?
The main thing is better integration with the OS. So no browser chrome (even as a PWA, the browser adds buttons or a toolbar over the top of the app), integration with the Mac menu bar, native context menus, the OS semi-transparent background for the frame so it feels like it belongs.
I am guessing this works for you because more people reading = more people talking = more readers discovering and potential sales?
It would be interesting to see at what point of notoriety that is no longer true. Like is this still a factor for Stephen King, or at that point is it really just lost sales?
As for scale... There is only a tiny fraction of the industry that can support their life on writer's income, let alone be a household name.
It probably does become just lost sales at that point, but to reach that, you're probably already beyond most competitive forces, leaving only piracy around.
There are plenty of ebook stores if you google around, that have a standard range and use Adobe DRM, so off the bat wouldn't work on a kindle. In theory you can remove that DRM using Calibre, but I haven't tried.
Other than that, not really? There are plenty of ways in which you can buy _a_ drm free book, but not some large range (or even bandcamp-quality range, where there are authors you've heard of, just not Dan Brown / Stephen King sized ones) site.
I haven't got around to solving this problem so am also interested. I already own a kindle, I don't want to generate ewaste by changing physical device.
Was impacted by invalid ASIN pop up. Got fed up finally. Sold my kindle paperwhite via classifieds to someone who would embrace the Amazon walled garden (so someone new e-reading). Then bought a pocketbook. Now all my ebooks work again. And no waste. I use beam ebooks for drm free books. Bought all my Expanse books there.
> The early narrative was that companies would need fewer seniors, and juniors together with AI could produce quality code
I'm not deep into it, but I have not a single time seen that direction argued before this post. Maybe it was _really_ early on?
The narratives I always saw were, firstly, "it will be as a good as a junior dev", then "it's like pairing with an overly enthusiastic junior dev", then finally arguments similar to those presented in this article.
Which, frankly, I'm still not so sure about. Productivity is incredibly hard to measure: we are still not completely, non-anecdotally sure AI makes folk broadly more productive. And even if it does, I am beginning to wonder how much ai is short term productivity with long term brain rot, and whether that trade off is really worth it.
A lot of it is just that it's at the local maximum of popularity and relative user inexperience, so it's the juiciest target.
But also, npm was very much (like js you could argue) vibed into existence in many ways, eg with the idea of a lock file (eg reproducible builds) _at all_ taking a very long time to take shape.
We got lockfiles in 2016 (yarn) and 2017 (npm), before Go, Ruby, and others; I believe python is just getting a lockfile standard approved now.
You could already specify exact versions in your package.json, same as a Gemfile, but reality is that specifying dependencies by major version or “*” was considered best practice, to always have the latest security updates. Separating version ranges from the lock files, and requiring explicit upgrades was a change in that mindset – and mostly driven by containerization rather than security or dev experience.
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