Quite a lot of pearl clutching going on in this comment.
Here's the quote about the street names:
> Second, I am struck by the design of the interface itself: the sci-fi overlay of street names, borders, parcel numbers, target distances, and so on.
Struck. Doesn't sound like a value judgement to me. The only thing the author has an explicit problem with is the level of detail the camera captures. I see two sentences in reference to this. I wonder why you thought the first sentence was necessary (I'll leave the arguments that don't actually address anything in the article alone).
> I kept returning in my mind to the question of the interface itself. To how the fictional, fantastical cop-movie interface somehow became a reality.
> This slip between fiction and reality seems to speak more broadly to the role of law enforcement itself, and to how self-mythologizing police narratives go on to shape the world. To put it another way, the footage is a product of the fantasy that the role of the police is to protect us from ubiquitous hidden danger, a fantasy generated in no small part by the police themselves.
