Yes we should stop innovating and let China and Russia create autonomous drones so that they can impose their very refined ideology based on conquest on the world.
We are so primitive my fellow americans, how dare we create weapons.
Dyson: "...and next door to me there was Wittgenstein, who lived on the same staircase, and he always cooked for himself too, and so I used to cook my supper with the smell of fish from Wittgenstein's room next door."
[Interviewer] And you got to get to know him?
Dyson: "A little bit. Of course, Wittgenstein was a man who loved to torture people and so he invited me into his rooms one day - this was the closest contact I ever had with him, in fact. I mean, we passed each other very often on the stairs without speaking, but once he suddenly invited me into his rooms and said, 'Would you like to come and have a cup of coffee?' So I was thrilled, I said, 'Yes, I'll certainly come.' So I came in there and there was one chair, and he invited me to sit down in it, and it was a canvas deck chair which meant I was practically lying horizontally on this canvas chair, and he was standing uncomfortably waiting for me to say something, and so I found it acutely embarrassing, but in any case, I'd come in and so I thought I might as well try, and so eventually I decided I would start a conversation. So I said to him, 'Well, you know, I read the Tractatus and I'd be interested to know whether you still believe the things you said in the Tractatus or have you changed you mind?' And so Wittgenstein looked at me in a very, very hostile fashion and he said, 'Tell me please, which newspaper do you represent?' That was the end of the conversation. So there was another long silence, and then I drank the coffee and left. So I didn't get much out of Wittgenstein. I had the impression he was simply a charlatan. He loved to torture people and he was of course always extremely insulting to women. He couldn't tolerate women coming to his lectures, and he would just simply be so rude that they had to leave."
Cargo culting is one of those mental models that appears everywhere once you learn about it. Similar to kayfabe in wrestling and politics.
99.9% of humanity basically is winging it daily (by copying the shallowest parts of whatever philosophy/ideology they espouse) pretending they know everything while the 0.01% is honest with themselves and thus are free to question and doubt their own ideas in order to improve them.
This 0.1% is mostly invisible despite pushing humanity forward
I assume you place yourself in that 0.1%? Or was it 0.01%?
Personally, I think we're all winging it almost every moment of our lives. Relative to domain experts, I'm bad at almost everything I do. (Cooking, driving, talking, writing, planning, etc). I'm only really good at maybe 2 or 3 things.
I think we're all like this. And its fundamentally ok. Its how human brains are wired.
Sometimes I imagine dividing all my thoughts between things I've personally invented and things I've heard from others. Whats the ratio? I think at least 95% of my thoughts come from other people. Maybe 99%. Maybe more.
How could you even tell if you've personally invented something? You don't know what caused a thought to pop into your head. Heck I often forget things I've said, so I clearly forget things I've heard. I could be fully convinced an idea was my own and still be dead wrong.
Luckily you can build on the ideas of others without being a cargo cultist. Simply verify the sturdiness of the foundation before you go adding an extra wing to the house.
Seems to me there's a confusion of ideas here. If you want to create "true" art no one is stopping you. If you're upset people can make more money by "undermining" the creative process by using tools then you're not really interested in creating "true" art with the "creative process", you're interested in money.
The problem is, society is set up now so that the ONLY thing people CAN do is go after money. It was pushed hard in that direction by tech companies like Google, Microsoft, and Facebook because they wanted to maximize pure short-term profit by sucking life out of people.
There was a time in history where you COULD create real art and make a decent living out of it. Now, AI has set up the ultimate PRISONER'S DILEMMA (game theory) situation where everyone needs to jump on the frenetic race ot the bottom to get their work recognized.
> There was a time in history where you COULD create real art and make a decent living out of it.
Honest question, is that actually true? Historically, professional art always struck me as the domain of the rich, the starving artist, or the person taking commissions for the rich.
I have a friend that is a workaday oil painter. He went to college for oil painting, got good at painting seaside vistas, and sells them steadily. There are also all manor of other commercial artists. Concept artists, illustrators, graphic designers, animators, composers, musical instrumentalists... they are artists who make a living from being artists. They get artistic satisfaction from their work just like a developer gets creative satisfaction from writing code for a living. They put their heart and soul into the things they create even if it might end up making them, or even other people profit. Art doesn't have to be some magical personal journey completely divorced from the prospect of money to be art. I'll bet that nearly every single musical artist you like made the majority of their work to sell it and make money. That does not make that work worse or less artistic. If you removed the things in our lives we get artistic enrichment from that were created to sell, it would be a pretty stark landscape.
I see a lot of people who generally haven't done artistic things meaningfully grappling with the "what is art" question for the first time, and making a bunch of sweeping declarations that make them feel better about riding this wave. If you're someone who has put a bunch of years, educational dollars, and effort into becoming an artists, some group of software developers "explaining" to you what "real art" is can be pretty infuriating. I was a developer for a decade-- I know this hubris from both sides. It helps when you're plowing into a new problem space to make it better with code, but when you start using those generalizations to deem someone and their life work as worthy or not, it's obnoxious, counterproductive, and generally completely inaccurate.
There have been times in history (middle ages? Renessance?) where some artists were sponsored by rich person.
Rich person for whatever reason, thinking it worthwhile to pay for artists' expenses. Or house them, buy their works etc. So that artist could create art.
Modern day equivalent would be Patreon. But back then, usually 1, maybe a few sponsors. Or 1 rich dude sponsoring a small ensemble of artists. Just for... dunno. 'Social credit' / personal glory? Art lover? Bragging rights? Some kind of platonic or romantic relation between artist & sponsor? To leave something behind?
Well, as a case in point: people can make money from YouTube and writing books now...that may indeed be a thing of the past if a person is not willing to use AI. But even if not, some people were definitely able to make money out of being an artist in the past, like people who painted other people's portraits.
AND, if you read about the history of photography, some people were definitely able to make money out of taking people's portraits. That was still the case until advanced technology came around.
But I do agree with your point: not everyone was able to do so.
> AND, if you read about the history of photography, some people were definitely able to make money out of taking people's portraits. That was still the case until advanced technology came around.
People still make money from taking people’s portraits… and those people took money from the portrait artists who used to travel and paint portraits.
Artists almost always reject technology that makes what they do a commodity, which makes sense, but the reality is that art that lasts is usually something which comes into existence when the previous art gets commoditized. IMO, when the artists freak out it is because we have made a new technology that is actually disruptive.
Are you saying people who make "true art" should not be doing it for reward, or should not be as interested in money as non-artists? This is enormously reductive and is quite a modern idea. Most artists in history have made art for gain.
It is a bold strategy to suggest that Nick Cave is confused by ideas of income and art. I don't care who you are: on this topic, Cave is almost 100% certainly better informed than you (or me).
Most artists make next to nothing on their art. A vanishingly small portion can live off it, and fewer uetearn well.
The number is probably higher for the elite, most renowned artists, and it might well benefit society to ensure a portion of the best can live of it, but in many places that is already hard enough that a substantial portion of the ability of even elite artists to live off their art often comes down to government funding and grants, followed by patronage that is more about status than ability to commercially exploit a work.
That's not to agree with the notion that real artists can't want money too, because I don't agree with that, but I also don't agree that most artists have made art for gain.
At least not as a primary motivator, as if gain was the main goal, it's usually a bad one (e.g. the average full time UK novelist earns below minimum wage from their writing)
Throughout the history of the last two millennia or so, most artists will have made art for patronage, for direct reimbursement (artisanal objects that happen to be art, or for the church or some noble) or for barter.
There will have been very few serious artists in history who could afford to do it for the love, because art materials cost money, and time making non-functional art is time not earning enough or working enough to live.
Art as a pastime is a very modern invention, surely.
That is
This is kind of the point, in that tying art to the need to make a living used to severely limit the production of art. As we saw this difficulty being overcome, we saw an explosion in artists, and a whole lot of those unable to get paid for their art turned out to produce amazing things. Van Gogh being one of the obvious examples coming out of that.
But even before that I'm not convinced that about your claim. I'll concede that most artists whose works have survived for a period will have done so for patronage, because others will have faced severe limits on production. E.g. Haydn being able to be a court musician for the Esterhazy's ensured his work was played in front of an audience and associated with status, and so secured it distribution that someone composing and playing in less privileged positions did not enjoy (and indeed that Haydn himself did not enjoy at the start of his attempts to make a living as a musician after he could no longer sing in a choir).
For large parts of time we can expect most art to have gotten lost because it was not written down and recorded, or because it was produced or kept in ways that hampered its longevity.
E.g. already under the Chinese Tang dynasty we know that art was seen as an acceptable pastime and that while patronage happened, it was not a particularly desirable job, to the point that one of the earliest known Chinese painter was by a man - Yan Liben - who apparently became ashamed when he was referred to as "the imperial painter" and warned his son not learn to paint to avoid his fate of being known for it, because it was lower status than his actual paying job in the imperial administration, and his painting was something he at one point was ridiculed for.
People draw or make music or create stories whether or not we get paid for it, and even in situations where it's seen in a negative light, and we've done so for tens of thousands of years.
> This is kind of the point, in that tying art to the need to make a living used to severely limit the production of art. As we saw this difficulty being overcome, we saw an explosion in artists, and a whole lot of those unable to get paid for their art turned out to produce amazing things. Van Gogh being one of the obvious examples coming out of that.
Fair. But the argument I am responding to implies that making money is antithetical to making art — that artists can’t think about making money if they want to make true art. This is, frankly, patronising bullshit in the fullest sense (not least because it denigrates artisanship in the sense of making truly artistic useful objects).
Arguing for a world where artists should not be respected if they are as focused on their income as anyone else is insulting, not least when great art makes such huge sums and generates independent wealth for its owners once it becomes an asset.
It belittles art itself, as a plaything or an alternative to real work.
Maybe Nick Cave should stop using computers too since they simplify the "true creation process". Or just disregard tools altogether and return to his destiny as denoted by nominative determinism.
Havent had a single interaction with ChatGPT where I didnt have to refine its answer. And I'm talking about simple programming topics not making real art or grammy award winning songs.
I made no suggestion that it is. I am just reacting to the condescending attitude to one of the great musicians and cultural thinkers of our times.
People who are less excited or connected to the coal face of technology are not necessarily ignorant or engaging in motivated reasoning if they question an innovation.
On one hand the guys on top are telling us that we're destroying the planet and we should reduce carbon emissions by any means necessary (dont touch their private airplanes and yachts though). On the other hand the same guys are saying we're rapidly going to collapse because we're not birthing enough consumers. Hilarious really
What's more innovative a new frontend framework or getting to the moon? A more efficient way to show ads and monetize user experience or creating the first semiconductor? A large amount of innovation nowadays is just rent seeking and very gradual refinement of 80-100 year old ideas.
Without new fundamental breakthroughs we're hitting diminishing returns here
Yes, that's what the paper argues too. The inventions made during the industrial revolution were so massively impactful that today's inventions are nothing by comparison.
bring millions of people you cannot integrate -> let them run amok -> gain convenient excuse to clamp down on privacy and add more surveillance -> slowly become a dictatorship due to people giving up their freedom for security (from the consequences you willingly created)
It's the UK formula again.
Bonus points: you also decrease wages and increase rent and house prices doing this, so you basically keep winning in your gated communities
What exactly would the end game be? resetting the clock to the middle ages? I don't think this is all planned, I think people underestimate the shortsightedness of governments.
A good strategy to not get to a "crisis" would be to keep increasing interest rates in order to squeeze the middle class and at the same time print trillions to provide liquidity to the big players like banks. In this way not only will you push wages down through constant layoffs, remove all the advantages that employees had for negotiation during the coronoa boom. But you also squeeze the middle class with huge inflation thus eroding all their savings and hope.
