I used to have the VHS tapes of Connections 2 and Connections 3. They got more gaudy as the series progressed. They were less about the progression of technology and more about being shiny and spectacular.
> Television is entirely different. I remember walking around the world with a film crew, sometimes 15 people, and pointing at a bush and saying, "What am I doing here?" That's very time-consuming and expensive, and we no longer need that kind of thing. This time, there's no money. [...] Nobody went anywhere, so we didn't get up and catch planes all the time. And nothing got in the way of the story except me. All I did was stand and talk. Because of the structure, the nature of the production style, the story can move more densely and more quickly than ever before.
I don't know if I agree with him that it's a good thing. One of the things I loved about the original Connections was the experiential aspect of it. James Burke in front of a green screen is just James Burke in front of a green screen.
> I want fonts to be made out of just a handful (at a minimum) of primitives -- e.g. here's a vertical stroke, a horizontal stroke, diagonal strokes, what various serif endings look like, here are what the bowls of letters look like, etc.
Tom7, who makes excellent videos about computers, has one about splitting letters up to create anagrams in this way.[0]
All of his videos are technically astounding, like the one where he frankensteined a raspberry pi into a game cartridge to play SNES games on a NES, or the one where he designed and built a computer using IEEE 754 NaN and infinity instead of 0 and 1.
https://namogenmo.github.io/
I wanted to keep the anything-goes spirit, so “movie” is defined really loosely. Anyone is free to join me, there’s still time this month!