The self-synchronizing scrambler of 10GBase-SR and its relatives is a beautiful piece of engineering.
Interestingly, I heard that entrenched telco people were pushing for a much more complicated, SONET-ish approach. But classic Ethernet simplicity carried the day, and it's really nice...
I... actually really liked these. And yes, sure, they aren't completely obedient to Tolkien's descriptions of the characters, but the atmosphere feels right.
It feels like a Nordic interpretation of a folk tale shared across Europe, meaning it has small differences and a local flavor. Which seems very appropriate for what Tolkien was trying to do in the first place.
I acquired a taste for Moomins rather late in life due to a chance encounter with Mika Pohjola who was performing Moominröster.
Collected the newspaper strips and some novels.
It was all very incongruous and absurd… but then so are salt licorice, pickled herring, and many other Scandinavian things that aren’t to everyone’s taste.
I found the Tolkien Calendar edition which used Jansson’s art. I find it adorable. No one else does.
The Hobbit is also a whimsical children's book, and doesn't have anything to do with saving the world (a world that Tolkien had not developed anywhere near the state in we see in LoTR when he wrote The Hobbit almost 20 years earlier).
The world was pretty well developed, but The Hobbit isn't really set in it. The Hobbit was retconned into his broader Middle-earth as the sequel grew in the telling. He'd been re-writing the material that became The Silmarillion for decades. (And he offered it to the publisher instead of a Hobbit sequel, and they said "what else ya got?)
This despite the fact that some names and elements were re-used. He often cycled the same names around until he found where they fit. Which also makes reading early drafts of the Hobbit fun when Thorin was named Gandalf.
Was its license rescinded by the International Society of Children's Books? Thanks for letting me know, I'll be sure to tell my child to stop enjoying it.
I read it to my daughter when she was six, and she loved it. We did one chapter a night. I did almost no editing as I read.
By the time we read LOTR she was eight, and we never did finish ROTK because the Frodo and Sam parts really do drag on (I get that he wrote them this way so that the reader would get a sense of just how arduous the journey was, but...)
Somewhat whimsical, yet somewhat grappling with dark undertones, possibly due to the trauma of the war.
The moomins starts with a great flood that washes them all away to live in a new place (I think this is a parallel to the Finns moving out of Karelia after the war. I believe this was the largest migration of people that had occured at the time, and it has been described as causing generational trauma to the Finnish).
In addition I believe MoominPappa deals with issues of depression or something?
Fantastic creatures diving to retrieve their pantry supplies or the head of a family grappling with a mild midlife crisis is not exactly on the same scale with a band of warriors reclaiming their homeland and in passing dealing with the eternal evil.
I love that you use "fantastic creatures" to describe the world of Jansson, but "warriors" to describe Tolkien. Last time I checked, it had hobbits, dwarves, elves, talking trees... but none of that fantasy nonsense of Moomintrolls, right?
There are some seriously dark themes in there - and unlike in Tolkien, the protagonists are completely helpless when facing them. No epic battle in which magical eagles and a magical bear show up to save the day.
Just for the record, I don't at all think they're similar. I just don't think it's correct to call the moomins entirely whimsical (though they are a bit I guess.)
Mostly just trying to contextualise the moomins with some info I found interesting and unexpected given that it looks like a children's show about anthropomorphic hippos.
There is an enormous difference in tone if you actually read any of Tove Janssons books. The animated moomin series is childish and cute. The world of the books is dark and scary and contains monsters and threats that are almost lovecraftian. The moomin trolls are victims to their surroundings and the forces of nature...
(And even the books, floods and comets, children's books about impending natural disasters, not of the magical kind that you know aren't real anyway, but of the kind that have actually destroyed life on earth before and might happen again, that's real nightmare fuel for active children's imaginations.)
At least one of the adaptations as of the 1980's also had moments that were very much dark and scary as a child. I haven't read or seen anything of the Moomins since, but I think the Groke might have been one of the things that freaked me out.
One of the books you mention is about an adventure involving a treasure. The other book is about catastrophic flooding in the first book and a comet that threatens the planet in the second, if I recall correctly. Which one did you think was about saving the world and which one was about whimsical non-issues again?
Of course, you don't have to like the books. They are both children's books. But of all the possible critique this one was particularly strange.
It is fantastically bleak, with the sea drying up, and that doomsday prophet reminding them that everything will be destroyed. Then the comet somehow misses, which they react to with a sort of dreamy, "oh. Right." and even the cake moominmom bakes to celebrate that they're not all dead after all, gets ruined because that damn doomsday prophet sits on it.
And honestly pretty great, unless you are a collector. It's well done.
The book itself is beautiful and haunting. But I don't think it's for everyone... I have a copy, and I gifted one to someone in my family who really didn't understand the point.
I think the issue at the core of the analogy is that factories, traditional factories, excel at making a ton of one thing (or small variations thereof). The big productivity gains came from highly reliable, repeatable processes that do not accommodate substantial variation. This rigidity of factory production is what drives the existence of artisan work: it can always easily distinguish itself from the mass product.
This does not seem true for AI writing software. It's neither reliable nor rigid.
What assembly lines and factories did for other manufacturing processes is to make it feasable for any person to be able to make those things. In the past only very skilled professionals were able to create such things, but mechanisation and breaking down manufacturing processes into small chunks made the same things be able to be achieved by low skilled workers.
IMO that is exactly what is happening here. Ai is making coding apps possible for the normal person. Yes they will need to be supervised and monitored, just like workers in a factory. But groups of normal low skilled workers will be able to create large pieces of software via ai, whic has only ever been possible by skilled teams of professinoals before.
You could also consider MRAM. Which is available in larger sizes - up to 4 Mbit on SPI bus in the MR20H40, and 128 Mbit in EM128LXQ (but it gets unreasonably expensive when this big).
Selective amplification of true events as well as selective reporting are bread and butter of modern propaganda. It works a lot better than saying outright falsehoods, which - in the long-term - cause people to lose faith in everything you have to say. And there's always someone jumping to your defense - after all you did not outright lie...
That is again a claim with no backing that can be applied to anything without actual data to back it up.
For example. I can just as equally state with the same data to back me up (ie: none as it stands right now) that you are a US government plant posting propaganda to encourage people to not use safer technologies and as a result make their data easier to spy on.
The "interested" part does a lot of lifting though. It's really hard to explain things to uninterested people.
If the person you are explaining your project to is not interested in the technical side, presumably under the rather confused but popular theory that technical aspects are not relevant to technology ventures, you'll not be making headway. It's much better to just make up some dollar numbers and run with that.
To some degree, this is a consequence of the nature of the field you're working in:
* if the physics is so completely understood that you can confidently predict something will work from your sofa, and give an error-free recipe to build it, you indeed can invent from theory... but how deep can this invention be if the problems of the field are completely solved?
* if you are working in a field at the edge of human understanding, you cannot have the confidence in your ideas without having tested them experimentally; a theoretician makes at most a minor contribution to the actual inventions being realized, because he's producing - most likely somewhat wrong - hypotheses.
This latter kind of "theoretical" inventions are heavily subject to survivorship bias. Fifteen competent theoreticians make different predictions - all according to best, though incomplete, model of the world; a successful experiment validates exactly one of them, and we end up exalting the lucky winner as the "inventor".
In practice, any unexplored corner of the field will contain surprises; these will require extra theoretical development to cover.
Usually things like imperfect understanding of materials get in the way. Pretty much the reason you need both theory and experiment to make progress in every single area of matter-based technology (i.e. not software).
The issue is that China has done, on the whole, fairly alright for itself. So everyone with any power in the West is looking and thinking: "huh, so the freedom and rights and property were really not important for progress at all - might as well can it".
Interestingly, I heard that entrenched telco people were pushing for a much more complicated, SONET-ish approach. But classic Ethernet simplicity carried the day, and it's really nice...
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