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It's funny, when you pour your blood sweat and tears into creating something you certainly feel a sense of ownership over the damned thing; it's your baby. But at the same time, witnessing much of the absurdity emerging out of the current state of copyright law, I'm starting to wonder whether you might be right.

I just have no idea how such an economy might operate and still remunerate creators for their work.


Humans created way before any one invented money. What you mean is, the high end wont get filthy rich. Real creators and innovators rarely think of the money, yet still create.

If it really is your "baby", then keep it to yourself, keep it safe. I wouldn't let any baby of mine out in to any marketplace alone.


For most of history, artists operated under the patronage system and were paid to create works. Almost every dead artist from the pre-copyright era who is still revered today was either a product of the patronage system or born into a wealthy family.


Nobody in my household has pirated even one track since the advent of Spotify in our lives. I know it's not the best sample size, and it's only anecdotal, but I suspect that would be the pattern across the board if similar models became adopted for other forms of media.


Assuming Spotify is available in your country...


While technically true, frankly spotify might as well be.

While exact numbers aren't disclosed, I've seen a $0.004 per play royalty thrown around enough that it's probably at least ballpark.


But their payout is based per stream, not per track, isn't it? At amounts that still exceed that of radio?

"For a 99c sale of a track on iTunes an indie artist gets 70c. At the time you need 140 Spotify streams to make the same 70c." (Source: http://www.spotidj.com/spotifyroyalties.htm)

These figures are hardly comparable with piracy, and for an artist with a reasonable audience, should more than exceed the $.918 average royalty for a song per unit sold that record companies provided in the era of CD sales.


One glance at Redfly is enough to tell you why it wasn't embraced!

And by your logic, the iPad was destined for failure too, no?

I'm not sure if this will fly, but I suspect execution and design will be major factors.


My sense is that while people across the world are polarised in their opinions of Assange himself, there's still a lot of disquiet about the question of his (potential/likely?) deportation to the U.S. only to face a Grand Jury, as opposed to due process, the rule of law, and a properly constituted court.

As a non-American, it makes me wonder whether this isn't the time for a serious conversation about amending our extradition laws and treaties to exclude any jurisdictions that don't meet the basic standards of justice expected of a modern democracy.


I guess 100% of the company I keep falls within that 44% then...


http://muse.adobe.com/index.html - built with muse.

Whatever you do, just don't read the source!


Wow, talk about div-itis.

And the source has almost the entire thing duplicated again, but commented out for IE < 9.

Is it bad that I read the title as: "Adobe Misuse promises code-free Web site design" and came to check what new horror they have unleashed?

Although an HTML gui is probably something that is needed.


Sorry. After reading <!--[if lt IE 9]>, followed by 3 pages of html, I am even more sorry.


hmmm... Looks exactly the same as a facebook brand page.


OK, I was expecting self-promotional spam... and maybe it is, but what a magnificent photo collection! To quote the old motto of my favourite Australian broadcaster - "the world is an amazing place!"


Wow! Stubby's story would make for a brilliant movie!


So you think there's no place for a solution that doesn't require JavaScript?


What if he does? Would it be such a bad thing? V8 Javascript isn't slow.


Yes, but think printing or other media where Javascript isn't allowed to run at all.


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