"All of 5-foot-2 and dressed like a sexy librarian — snug blouse and pencil skirt — Maria usually counseled homeless patients at Bellevue Hospital, the institution famous (and infamous) for treating New York City's poorest and sickest."
I do not understand why the author made this characterization. It seems to undermine their point.
I suspect that the author characterized the therapist's physical description in that particular way because it was relevant to the opening scene: the man's come on line was to define his 'PTSD' as 'post traumatic sex disorder'.
The therapist's physical appearance and gender add explanatory context for her ability to predict the man's inappropriate behavior. And suggest why she was the target of the man's inappropriate behavior in the first place.
I think "sexy librarian" speaks volumes about American gender and social roles: In order to understand the phrase you first have to assume librarians are mostly female and aren't, on the whole, sexy. Then you need to understand what a librarian is assumed to be - probably someone who's interested in "smart stuff" in general, but not a specific field, and not in an outwardly focused way like a professor or a scientist or an engineer. Then you need to imagine the appropriate age for this creature - not a young 20-something girl, and not 50 years old (like some of us). Nay, though she's a ripe, ripe blossom, she's been protected and kept clean (but perhaps a little dusty) until now by her love for books, her yester-decade choice of apparel, and those ubiquitous wide-lensed spectacles. Yes, she's been waiting for you all these years. In the stacks.
My mind always creates an image of a person I'm reading about. If there are no physical characteristics, it actually makes reading harder. Fiction writers generally know how to paint this picture (except for the very bad ones), but in journalism it's not a given.
So I'm glad that long-form non-fiction authors expend a few words on this. Height + "sexy librarian" is certainly not the most elegant formulation, but it's enough to avoid the frustrating blankness of an unbuilt narrative actor.
I read it as contrasting between how she looks and what she actually is/does.
Or in other words don't judge people by appearances - which is exactly the same message about the guy with the sign. He appears as jolly and inappropriate, but actually is anything but.
It's basically the message of the entire essay - how people look is not how they are.
That "sexy librarian" line jumped out at me as well. There seems to be an over arching quality of smugness to the author's writing style that doesn't really fit with the subject matter as a whole for me.
Most long-form journalism wastes ink on useless, distracting information like this; that passage is only unique in that the junk doesn't usually veer so far into lecherous territory.
This kind of detail is the entire point of long-form journalism. It's not intended to be merely a quick, dry presentation of the facts. It's fine if that doesn't interest you, but don't complain that a dog sucks because it won't meow.
I can accept that some people prefer the style of long-form journalism.
I just don't see how this detail adds to the story except to clue me in on the author's fetishes.
What "entire point" necessitates learning that someone's outfit is consistent with sexy-librarian roleplay, and is that purpose best satisfied by long-form journalism?
It's purely descriptive. "Sexy librarian" is a very standard pop-culture image. Also, Kelly Caldwell is female--doesn't mean she can't be into ladies, obviously, but I think you're imagining her as a drooling straight guy.
I did; if that's your opinion, then it seems like you're trying to have it both ways:
On the one hand, you recognize all the subtle implications that are supposed to flow between the details ("dresses like a sexy librarian -> is prepared to handle inappropriate advances"), and praise how they liven the text, and how it is "the entire point" of the medium.
But on the other hand, you're acting like there's some iron law that says the "sexy librarian" description can't possibly sexualize someone, and it's unthinkable that anyone would make that connection, since after all, it has exactly one standard, official meaning, and the robotic readers would never connect it with anything else.
If long-form is all about building up the big picture, why are those implications not part of that picture?
I do not understand why the author made this characterization. It seems to undermine their point.