Thanks for the link. Mentioned elsewhere that Wolfram's software was used live in filming to analyze the semagraphs. But, I missed the Wolfram blog post. Am going to see the movie again particularly for that sequence (plus the Jóhann Jóhannsson soundtrack floors me).
It's an interesting "interpretation" of the short story, but it trades a lot of the beautiful ideas for a more generic alien contact story, though the core plot remains the same.
I said it in another comment, but I seemed to enjoy the movie less because I had read the short story.