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To be absolutely clear here - I don't give two shits about "accurate". I care about reproducing the emotional content of the music. As a musician and a recording engineer, I take this stuff very seriously. I find the arguments for "accurate" to be utter nonsense 99% of the time, completely removed from the experience of music creation by people who have zero experience actually making music.

As for the fallacy of gray and the idea of loudness wars in vinyl mastering... nope. Two reasons. First, the loudness wars are a function of competitive reproduction on the radio or television. That competition doesn't really exist in the vinyl world, where listeners tend to listen to an entire album in a sitting. Second, it's not physically viable to make vinyl records much louder than they already are. High RMS volumes can make the needle jump the groove, or introduce a lot of downstream distortion (not the pretty kind).

Rather than fallacy of gray, this is more like saying you should eat with a bucket rather than a spoon because a bucket can hold larger bites. It doesn't matter if digital is technically "better" if there's no good way to take advantage of the additional benefits in can provide in practice.

(This all said, I'll record in digital rather than on tape, any day. The editing and management benefits are tremendous.)



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