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Aside from attributing all this to the RIAA and the MPAA, I can see a line of thought that might move policy makers in this direction. As time goes on, an increasingly large slice of the U.S. (and world) economy is coming from non-physical goods like software, movies, writing, speaking, etc. Politicians who acknowledge this would want to promote an economic environment that will let these growing industries thrive. I would imagine this is the thinking behind ACTA - we want the world to respect copyright since we expect to rely heavily on it. While people like to (rightly) point out that a downloaded song or movie is not equal to a lost sale, the potential for easy, private transfer of data WILL eat into sales significantly over time if not "controlled."

What the politicians don't seem to acknowledge is that the products of this process are not scarce (although the inputs to the process are). Enforcing the illusion of scarcity (particularly with all the great privacy/crypto we have) must be extremely heavy-handed. We'll have to choose between severe restrictions in our communication (which should bother everyone) and less production of the software and movies that we desire (which would be unfortunate).




The problem with enforcing controls on the web is that even if they are well-meaning and protect copyright holders in the short term, they do untold damage in the long term that can't be estimated or anticipated ahead of time (the butterfly effect - http://en.wikipedia.org/wiki/Butterfly_effect).

Do you think if the internet was 100% government regulated or by a company (e.g. AOL) from day one, that is would have grown and developed as quickly and as well as it has? Or that the many opportunities for creating a web-based business would exist? Of course they wouldn't, because they would have been stifled by well-meaning legislation. The cost and bureaucracy to startups would increase massively. Piracy isn't nice, but it is the price to pay for an open and independent global network. (/rant)


What they also fail to see is that the outputs of this process are also the inputs of this process. Imposing artificial scarcity on the output restricts the input, which diminishes the output, which further affects the input, etc.

Every piece of intellectual output takes as input many, many pieces that have come before.


That's a great point. The truly great works motivate derivative works and copyright doesn't play well with this. No work exists in a vacuum so locking up lots of our culture behind copyright will limit the space of ideas pursued. I've read that book publishers won't even allow quoting from other books without permission from the publisher (they don't trust fair-use).

Still, many of the other inputs: the time of lots of people (many of them very talented) and the money of investors are definitely scarce. I think it's a tricky balancing act. However, I'm not sure the status quo is so terrible. By getting permission or paying, many copyrighted works can be used in new works. In cases where they can't some works may not be created. Along the way, creators can be compensated.




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