"Most ideas about future technology from that period are laughably wrong or outdated."
Not only that, but science fiction editors back then were actively hostile to the direction Dick's stories were headed. Here's what Dick himself had to say about it:
"At the beginning of my writing career in the early Fifties, Galaxy was my economic mainstay. Horace Gold at Galaxy liked my writing whereas John W. Campbell, Jr. at Astounding considered my writing not only worthless but as he put it, "Nuts." By and large I liked reading Galaxy because it had the broadest range of ideas, venturing into the soft sciences such as sociology and psychology, at a time when Campbell (as he once wrote me!) considered psionics a necessary premise for science fiction. Also, Campbell said, the psionic character in the story had to be in charge of what was going on. So Galaxy provided a latitude which Astounding did not. However, I was to get into an awful quarrel with Horace Gold; he had the habit of changing your stories without telling you: adding scenes, adding characters, removing downbeat endings in favor of upbeat endings. Many writers resented this. I did more than resent this; despite the fact that Galaxy was my main source of income I told Gold that I would not sell to him unless he stopped altering my stories--after which he bought nothing from me at all."
Gold had a fantastic eye for talent and published many classic stories in Galaxy, but his habit of making unapproved changes to stories was well known and he drove writers nuts.
Not only that, but science fiction editors back then were actively hostile to the direction Dick's stories were headed. Here's what Dick himself had to say about it:
"At the beginning of my writing career in the early Fifties, Galaxy was my economic mainstay. Horace Gold at Galaxy liked my writing whereas John W. Campbell, Jr. at Astounding considered my writing not only worthless but as he put it, "Nuts." By and large I liked reading Galaxy because it had the broadest range of ideas, venturing into the soft sciences such as sociology and psychology, at a time when Campbell (as he once wrote me!) considered psionics a necessary premise for science fiction. Also, Campbell said, the psionic character in the story had to be in charge of what was going on. So Galaxy provided a latitude which Astounding did not. However, I was to get into an awful quarrel with Horace Gold; he had the habit of changing your stories without telling you: adding scenes, adding characters, removing downbeat endings in favor of upbeat endings. Many writers resented this. I did more than resent this; despite the fact that Galaxy was my main source of income I told Gold that I would not sell to him unless he stopped altering my stories--after which he bought nothing from me at all."