Dick was thrilled with his first glimpse of Blade runner on TV. In October 1981, he wrote to the producers [1]:
I came to the conclusion that this indeed is not science fiction; it is not fantasy; it is exactly what Harrison said: futurism. The impact of BLADE RUNNER is simply going to be overwhelming, both on the public and on creative people -- and, I believe, _on science fiction as a field._ … Nothing that we have done, individually or collectively, matches BLADE RUNNER. This is not escapism; it is super realism, so gritty and detailed and authentic and goddam convincing that, well, after the segment I found my normal present-day "reality" pallid by comparison. What I am saying is that all of you collectively may have created a unique new form of graphic, artistic expression, never before seen. And, I think, BLADE RUNNER is going to revolutionize our conceptions of what science fiction is and, more, _can_ be.
… As for my own role in the BLADE RUNNER project, I can only say that I did not know that a work of mine or a set of ideas of mine could be escalated into such stunning dimensions. My life and creative work are justified and completed by BLADE RUNNER. Thank you...and it is going to be one hell of a commercial success. It will prove invincible.
If that’s the only book of his you’ve read, you’re really missing out - it’s good, but not his best.
I would recommend, and you are welcome to ignore should you choose:
Ubik
Flow my tears, the policeman said
Dr Bloodmoney
Radio Free Albemuth
Time out of joint
A scanner darkly
Mary and the giant
And finally as an aside, 334 by Thomas Disch.
Fun fact: Dick shopped Disch to the feds for in his view pedalling anti-American views. These letters are fascinating - and Radio Free Albemuth might ring some bells.
PKD has an uncanny grasp on the reality-busting nature of our current reality, and the above books are a decent primer in his way of thinking. The list is by no means complete, just what trips out of my head as “Good PKD”.
His non-sf works, like Mary and the Giant and Confessions of a Crap Artist, I did not understand in the slightest as a younger man. Now I read them, and their realities are palpable, sordid, tawdry, and utterly real.
If you like Confessions of a Crap Artist, you should try to see the French film adaptation, Barjo. My recollection is that it was a pretty good version, but it is now more than 25 years since I've seen it.
To give you a Dick answer... who’s to say what’s real?
Most likely the latter, but honestly, I don’t know. Disch’s work did change fairly radically and suddenly, but that’s not to say there was an external influence.
I came to the conclusion that this indeed is not science fiction; it is not fantasy; it is exactly what Harrison said: futurism. The impact of BLADE RUNNER is simply going to be overwhelming, both on the public and on creative people -- and, I believe, _on science fiction as a field._ … Nothing that we have done, individually or collectively, matches BLADE RUNNER. This is not escapism; it is super realism, so gritty and detailed and authentic and goddam convincing that, well, after the segment I found my normal present-day "reality" pallid by comparison. What I am saying is that all of you collectively may have created a unique new form of graphic, artistic expression, never before seen. And, I think, BLADE RUNNER is going to revolutionize our conceptions of what science fiction is and, more, _can_ be.
… As for my own role in the BLADE RUNNER project, I can only say that I did not know that a work of mine or a set of ideas of mine could be escalated into such stunning dimensions. My life and creative work are justified and completed by BLADE RUNNER. Thank you...and it is going to be one hell of a commercial success. It will prove invincible.
[1] Philip K. Dick official website, http://web.archive.org/web/20121015191334/http://philipkdick...