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> I don’t think it’s particularly fair to compare him to people like Coltrane or Cannonball as they’re almost completely different genres. To me (I’m not qualified), it’s like comparing baseball players to cricket players.

I agree, it is not fair. However, a more apt comparison would be between a top 3 major league baseball player and a top 3 little league player. And many people enjoy watching little league games (often when their kids are playing) and are not interested in pros, and that's totally their right.

Edit: and I just realized my comparison is between Kenny G and Coltrane's performances. It is entirely possible, and even likely, that Kenny G can play at a high level, but he just gives his audience what they want.



Thanks for this reply!! :)

I don't think my analogy was very effective, but I'm not sure the minor/major league baseball player analogy is much better. This one might just not be fit for analogies and the truth might be best.

John Coltrane and Kenny G are extremely good at what they do. They do dramatically different things and that's okay.

If you're right about Kenny G being able to play at a Coltrane-esque level, I'd argue that he's even better at marketing than music. It would mean that he could easily prove everyone wrong but he'd rather have the free press (and boatloads of cash) of infamy than bragging rights.


>If you're right about Kenny G being able to play at a Coltrane-esque level

Well, it appears my assumption was false!

I finally read The Pat Metheny article you posted, and he's pretty clear that Kenny G is not on the level of the greats:

> He had major rhythmic problems and his harmonic and melodic vocabulary was extremely limited, mostly to pentatonic based and blues-lick derived patterns, and he basically exhibited only a rudimentary understanding of how to function as a professional soloist in an ensemble

> The other main thing I noticed was that he also, as he does to this day, played horribly out of tune - consistently sharp.

> There must be hundreds, if not thousands of sax players around the world who are simply better improvising musicians than Kenny G on his chosen instruments. It would really surprise me if even he disagreed with that statement.

Mind you, he is comparing Kenny G (unfavorably) to the best jazz sax players (because he also argues that it is jazz, despite what the naysayers may say).




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