I don't see how you could believe this point, unless you think things like "There's no bad music, only bad musicians" as well.
Perhaps an elucidating counterpoint is an algorithm written in such a manner that it is deliberately worthless, as a joke (e.g., StackSort, Bogosort). Obviously they're not the result of a bad programmer, they're just an inherently bad algorithm.
>unless you think things like "There's no bad music, only bad musicians" as well.
I actually do though, and I say that as a musician myself. These things are inherently subjective, writing good music isn't just a matter of how closely the musician adheres to a pre-determined set of rules. The qualities of goodness and badness exist in the minds of the creators and the audience rather than being attached to the music itself in some sense. Any attempt to classify "good" versus "bad" music in the sense people usually understand it is just an appeal to authority fallacy, the only thing that makes music good is "do I personally enjoy listening to it or not?". You can try to classify music based on how closely it fits a genre's set of rules but this quickly breaks down into absurdity in practice (for example, acts like the Grateful Dead which span many genres).
Not really, the fox crap that smells awful to me smells wonderful to a golden retriever. The "badness" of the smell is entirely down to the nose that's smelling it, the subjective experience of smelling comes from the mind rather than the particular chemical compounds which we understand as a smell.
That subjective information which describes the badness of a smell doesn't exist within the smell itself, it exists within the mind.
Perhaps an elucidating counterpoint is an algorithm written in such a manner that it is deliberately worthless, as a joke (e.g., StackSort, Bogosort). Obviously they're not the result of a bad programmer, they're just an inherently bad algorithm.