If a subject took psilocybin in between focused repetitions, do you think they would be effectively spaced?
Here you have F, G, A, B(flat), C , D, & E. The full alphabet in the key of F.
Each pattern actually goes up the entire neck but for teaching it looks like this site emphasizes the notes that are more common between these different modes.
You could look at it like a guideline to help you hit the right notes during improvisation or composition.
Alternatively it could be just as useful to avoid hitting the wrong notes.
Instead of having targets for the fingers, you could just as logically have patterns of notes to avoid.
Either way when you go up the entire neck you're covering a lot more ground.
One objective might be to develop the ear simultaneously with the conventional modes, so that eventually just hearing the key the tune is played in will instinctlively lead your hand to a favorable position to begin with, making it easier to go from there into whatever modes might be appropriate.
Here you have F, G, A, B(flat), C , D, & E. The full alphabet in the key of F.
Each pattern actually goes up the entire neck but for teaching it looks like this site emphasizes the notes that are more common between these different modes.
You could look at it like a guideline to help you hit the right notes during improvisation or composition.
Alternatively it could be just as useful to avoid hitting the wrong notes.
Instead of having targets for the fingers, you could just as logically have patterns of notes to avoid.
Either way when you go up the entire neck you're covering a lot more ground.
One objective might be to develop the ear simultaneously with the conventional modes, so that eventually just hearing the key the tune is played in will instinctlively lead your hand to a favorable position to begin with, making it easier to go from there into whatever modes might be appropriate.