> “BlackBerry” is a MoneyBro movie par excellence, right up there with “Wall Street,” “Glengarry Glen Ross,” “Boiler Room,” and “The Wolf of Wall Street.” It shares their key, defining trait: even though its main characters are either charismatic sociopaths or sheep, and the capitalist system they operate in is deeply corrupt and rewards men without morals or conscience, the story is so excitingly told, the performances so watchable, and the dialogue so quotable that it becomes the verbal equivalent of an action flick—kinetic, suspenseful, and sometimes unexpectedly beautiful and weirdly moving.
> “BlackBerry” is a MoneyBro movie par excellence, right up there with “Wall Street,” “Glengarry Glen Ross,” “Boiler Room,” and “The Wolf of Wall Street.” It shares their key, defining trait: even though its main characters are either charismatic sociopaths or sheep, and the capitalist system they operate in is deeply corrupt and rewards men without morals or conscience, the story is so excitingly told, the performances so watchable, and the dialogue so quotable that it becomes the verbal equivalent of an action flick—kinetic, suspenseful, and sometimes unexpectedly beautiful and weirdly moving.