It's interesting that the article mentions Hans Christian Andersen's “The Little Mermaid” as an example of a story that was “sanitized” by removing the part where Ariel is forced to choose between killing her prince or turning into foam on the waves.
But Andersen's story was itself a sanitized version of Friedrich de la Motte Fouqué's “Undine”, a fairy/morality tale in which a water spirit marries a human knight in order to gain an immortal soul. In that story, her husband ultimately breaks his wedding vows, forcing Undine to kill him, and losing her chance of going to heaven.
Andersen explicitly wrote that he found that ending too depressing, which is why he made up his whole bit about Ariel refusing to kill Prince Erik, and instead of dying, she turned into a spirit of the air, where if she does good deeds for 300 years, she's eventually allowed to go to heaven after all.
Even as a child, it felt like a cop-out to me. But my point was: “The Little Mermaid” is itself a sanitized version of the original novella, adapted to the author's modern sensibilities.
> But Andersen's story was itself a sanitized version of Friedrich de la Motte Fouqué's “Undine”
Now I got curious. Wikipedia actually has a summary of each chapter of "Undine" [1], and it's COMPLETELY DIFFERENT both in style and plot from Andersen's version [2]. Basically the only similarity is that it is about a mermaid and a prince/knight, and the (potential) death of the prince/knight at the end. For it to be a "sanitized version", it should be MUCH closer.
In this context that's a rather small difference though. At that point the discussion is not anymore about if it's wrong or right to rewrite stories and tell rewritten stories to children, it's more about the rights of the author to not be associated with work that isn't theirs.
No, it's about not being lied to when looking up a work of fiction.
Revisionism of historic facts and artwork is one of the oldest forms of political manipulation and has never served a good purpose, no matter how well meant. If you want to alter a story, make it clear that you altered it, don't replace the original with your version and then lie to people.
The article is talking about the Disney adaptation of The Little Mermaid. I don’t think anyone went to see that assuming that it was a 100% faithful adaptation of the original text (insofar as such a thing exists in this case) so I don’t see that anyone is being lied to.
I think OP is referring more to the current 2020s trend of book publishers making posthumous edits to classic books (such as Roald Dahl's) to remove things that are problematic to modern PC codes.
I told a variant of the original Little Mermaid story as part of a school outreach program. The kids came to the conclusion that God wasn't a fair being because he didn't give mermaids souls. I walked away satisfied that my little counterprogramming against catholic school indoctrination might have worked. I wasn't invited back (at least for school year 2024).
In some novel, the author discussed Abraham's sacrifice of Isaac [0] as not a test of Abraham by God, but a test of God by Abraham.
As in, 'I am about to murder my only son on your orders. If you are indeed the kind of god who would order me to do such a thing, then we'll see where that leaves us...'
That interpretation always struck me as truer to Old Testament tone.
At the time, child sacrifice was apparently common, enough that if a country was in trouble, the populace would demand the king sacrifice his kid to save the country (even shown in scripture … see 2 kings 3:27 though later in time). This was a very _public_ display that this God does not want that.
In short, it wasn’t really a test of either one, it was a public declaration that child sacrifice is bad.
Sounds like Dan Simmons' Hyperion and Fall of Hyperion. I think that particular bit was in the second book, but Sol spent a lot of time grappling with Abraham in both.
Leaving the classroom, I tip my fedora and chuckle to myself. As I smile at my own cleverness I wonder how much karma this story is going to get when I post it on the atheism subreddit later.
I wouldn't blame anyone for assuming God is a being. It's hard to reconcile the idea that God is both an abstract entity, like a force in the universe, but it also can become fully human as Jesus Christ.
That framing is a bit of a stretch given the widespread tendency of the religious to anthropomorphize God in terms like having human-grokkable preferences and communicating them to us.
I'd say that argument has itself preemptively "retreat[ed] onto ever-shrinking intellectual turf. Defining God as something akin to the entire existence of the universe is something that essentially cannot be proved or disproved. Stick to that definition strictly, and yes there is nothing that an atheist can take logical issue with. But that strict definition also yields no conclusions/advice/insight either, so it's not very interesting. Hence seemingly no one ever being able to adopt such a definition and actually stick to it.
Any metaphysical framing of ‘why existence’ is a bit of a stretch and can never be proved or disproved. I’ve also wondered whether a logical atheist would care if they were logical considering time is zero sum :) Also, these ideas are harder to grok in the modern mindset of reductionism (also unprovable), but this conception of God and being is millenia old.
I mean the framing of an abstract non-entity God is a stretch from how basically everyone actually invokes God. Sure, that conception of God has been around a long time - however I've yet to come across any religion that sticks to that conception. Instead it's generally used as part of a Motte and Bailey setup - such an abstract conception of God cannot be disproved, and so one has to agree that such a God may exist. But then having established that, the general feeling that there is some kind of higher power is used to give weight to a whole bunch of assertions of what a completely different conception of a higher power supposedly wants us to do.
Maybe in some circles, but the abstract idea of God being love (assuming one has faith that consciousness and free will exists in reality) go back millennia. The abstractions predate the Simpson’s ‘beard in the sky’ by a few years ;)
But Andersen's story was itself a sanitized version of Friedrich de la Motte Fouqué's “Undine”, a fairy/morality tale in which a water spirit marries a human knight in order to gain an immortal soul. In that story, her husband ultimately breaks his wedding vows, forcing Undine to kill him, and losing her chance of going to heaven.
Andersen explicitly wrote that he found that ending too depressing, which is why he made up his whole bit about Ariel refusing to kill Prince Erik, and instead of dying, she turned into a spirit of the air, where if she does good deeds for 300 years, she's eventually allowed to go to heaven after all.
Even as a child, it felt like a cop-out to me. But my point was: “The Little Mermaid” is itself a sanitized version of the original novella, adapted to the author's modern sensibilities.