Actually, truly original art would be nigh-near incomprehensible to the viewer, because it wouldn't be using the language of shared cultural experience to communicate with the viewer.
Read any of the great artists and they will admit that there are no new ideas. Shakespeare knew it. Even the Greeks knew it when they were ostensibly "inventing" theater.
So what? Art doesn't necessarily need to be comprehended to be engaging, indeed much of the art that I like is fascinating to me because of my limited understanding of the artist's thought process - particularly but not limited to visual art and music.
Incidentally, nigh means the same thing as near.
Read any of the great artists and they will admit that there are no new ideas.
C'mon, you know that's BS, for the same reason you pick a figure like Shakespeare as an exemplar of 'great'. If he actually thought that then why did he waste his time writing all those poems and plays, which are supposedly no different from anything that came before?
I hear this argument mostly from people who have never sat down and worked to produce something.
I've had quite the opposite experience, the only people who claim they've got original ideas--and entrepreneurs who want you to sign NDAs to protect their "great ideas"--are the ones who have never made anything on their own.
There are entire books on this subject. Austin Kleon's "Steal Like an Artist" is perhaps the most engaging one right now. Get it. Read it. Quit putting "ideas" on a pedestal.
Read any of the great artists and they will admit that there are no new ideas. Shakespeare knew it. Even the Greeks knew it when they were ostensibly "inventing" theater.