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I was going to put this into a thread below re: public vs. private NPR APIs, but it seems more relevant here.

Content programming fees are NPR's main form of revenue. When your station WXYZ holds a fundraiser, you donate to them, not to NPR. WXYZ pays NPR on a sliding scale. A station with 1 million listeners pays roughly 10x what a station with 100k listeners pay. NPR is actually barred from accepting donations directly, again "bypass". (NPR can take big one-time gifts, like the Joan Kroc $250M).

Stations pay the biggest dollars for the big "tent pole" shows (Morning Edition/All Things Considered) and this supports many other program and functions. In the FM world, stations have basically had exclusive distribution right. Digital changes that, of course, and creates the "bypass" I mentioned below. This is why you've never seen a ME/ATC podcast (I'm the anonymous answerer here: http://www.quora.com/Why-does-NPR-not-offer-All-Things-Consi...)

It's very possible (and was being discussed) that since listeners are logged on, NPR One could know if you're a supporter and suppress the pledge drive.

The challenge is that NPR and it's stations are still tethered together by the governance model. No one can "go it alone" without some changes, they'll either weather disruption together or fail together.



I'm generally aware of much of this, but it suggests an interesting argument about economics, in general. Pay according to ability, "tent-pole" products (these exist in for-profit services and retail as well), etc.


I love the intention of making the shows affordable and peg costs to a per-user basis. The reality in the U.S. is that big urban markets like NY, Boston, SF, LA, Washington, etc. are flush with cash, while stations in in small rural markets struggle to make ends meet. If federal assistance to CPB dried up, it's these largely underserved rural markets that would go dark, not big cities.


Truth on the rural markets, though I suspect running those translators is pretty inexpensive. I've got to say, having made more than a few cross-country trips, that finding myself within range of an NPR station rather than just very tired C&W, bible, right-rage-wing talk, or Mexican radio is a blessing.


Disclosure: I work at NPR.

The cost isn't just for the translators however - most of our stations also produce content themselves that is local, and many produce their own shows as well. Those are not small investments, but a smaller audience in a rural area means fewer people to raise support from. Our Alaska stations actually band together to help keep radio going across Alaska, though population is thinner.




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