If you enjoy literature and have not read the Hyperion Cantos yet, I beg you to stick to just the first book.
What Simmons did to conclude the Cantos is on par with Star Wars episodes I-III. Sometimes it is better to preserve the magic by omission.
As for a movie, I do not think doing it justice is possible today. The only adaptations that came close to a suitable spirit were Dune (1984) and Beowulf (2005). It is SF only by name and requires a very strong and independent minded writer and director, both of whom should be relatively well read as well.
Not for me. I think The Fall of Hyperion is my favourite in the series, although it's hard to split it with Hyperion.
The pacing is very different between each book, almost to the point it can feel like each book has been written by a different author. Don't read each book with the expectation that it is a straight continuation of the last as Simmons experiments with different styles and perspectives in the same universe.
I really enjoyed Fall of Hyperion. It's very different from Hyperion, but I think the plot is still very satisfying. Endymion and Rise of Endymion are okay and interesting in their own way, but a definite step down IMO.
It is different, and it does wrap up the quest at least. I guess I read it quite a while back and thought of Hyperion and Fall as one book in two parts, and got carried away in my original comment.
I don't know if it is common, certainly the reviews for the following three did not seem as warm as for the first, which was also the only one to win a Hugo. This is why I prefaced it with "if you like literature", because I think it depends on how much fiction you've read before and what you think is still fresh. Hyperion is most definitely fresh, a wild, tightly written run of imagination mixing Chaucer, Dune and Asimov with Heart of Darkness.
The problem with the way he wraps up the story [SPOILERS-ish] is that you feel that he was up against a wall and couldn't find a satisfactory way to connect the dots and picked the easy way out (similar to a deus ex machina - and yes, the Shrike sort of is one, but it limits itself predictably for your enjoyment). There is a certain suspension of disbelief, rules of the story you are willing to accept as it is woven, and through which you pick a direction and a pace, and he breaks them out of desperation.
A less major gripe I had was the stupidity of the "enemy". A worthy opponent would find it easier to manipulate humanity; in other words, a supposedly phenomenal antagonist is weakened to fill plot gaps. For an example of the opposite, watch the chess game between the two sides in Tinker Tailor Soldier Spy and Smiley's People (the BBC miniseries, not the modern remake which does not come close to Alec Guinness' performance). Karla is ferocious, intelligent, unstoppable, it is life's randomness that in a believable way opens the weakness (very well defended, throughout, but ultimately indefensible) that allows Smiley to get him.
And of course [spoiler!] the Dune series was heading to a similar conclusion as is reached about the crucibles within a couple of books; but the Dune meta-antagonist is much better written at least until the son takes over the writing to wrap up the series, and it is technically more of a very subtle Chekhov's Gun than a deus ex machina, which is why it feels so good as it clicks together (or might have).
Finally, I felt the last books were not as well edited. I think a parallel might be House of Cards where the first season (and perhaps the second) was the frantic work of a fresh team trying something bold and new, and the remaining episodes were the risk-free work of a team with the spotlight of the world on them, unwilling to risk their freshly acquired laurels. Frank and Claire Underwood become another token politician in another token political show with Zeitgeist-dependent in-jokes that will age badly, and the occasional flash of brilliance merely emphasising how much was lost. And perhaps I'm missing the point with House of Cards, perhaps the writers are saying that this is what happens when a narcissist wins the biggest prize and has nowhere else to go, existing only to keep it, but if so it is not said well.
I didn't even know that there was an adaptation of Dan Simmons' Hyperion, and now I find out that it apparently isn't worth watching.
Kinda sad, but one can still hope. As another comment said, it's nice to see more series that don't use the Star[...] IP that we are used to, but instead focuses on incredible books like Ringworld (or, to a lesser extent, Snow Crash).
I'd also love to see more Heinlein and Ursula K Le Guin, but I understand that not everything that makes a great book also makes a great movie / series.
There's no information out about the Hyperion series yet. There aren't even any casting announcements that I've heard of, so it's way too early to decide it won't even be worth watching.
It is a SyFy show. They have a reputation of producing the worst garbage, while simultaneously blocking the option. Thats why they are generally disliked by various fanbases, that would rather see their worlds given proper justice to. Examples are A Wizard of Earthsea and Dune. But honestly, good book adaptions are just crazy rare anyhow.
I would suggest that you watch The Expanse. It's possible that perhaps SyFy may have turned over a new leaf somehow.
Yes, definitely some very bad treatments in the past, a terrible reputation that they earned, but something new that breaks from the pattern as well. I'd say it's worth being a tiny bit optimistic about them.
